How to improve the accuracy of the violin long distance switch

It is easy to change handles at short distances (between two or three handles), but difficult at long distances (more than four handles). This is like playing basketball, close shot high percentage, long shot low percentage.

Is there any way to make the long-distance switch as accurate as possible? Let's think about it again: why do NBA players make almost 100 of their 3-point shots? And it's not the result of hard work in standard posture. First of all, the posture should be standardized, and the hands should be relaxed and able to move up and down freely. First, the close-range hand should be well practiced, and then the long-distance hand should be studied hard.

Practice for a long distance must be careful, to be good at opening the brain, to do the eye to the heart to the hand. What does that mean? That is, whether the long distance empty string is changed, or the same or more refers to the change, and no matter whether the change is up or down, we should estimate the distance between the starting position and the destination position in advance, and then the finger should try to change between the two accordingly. E string for example from a position that 1 f E string to five that 4 f, should put the little finger on the fifth place beforehand try press, remember it well, can stick the left thumb on the neck of the site to remember, also can write down the sound is from the end of the fingerboard is roughly, accomplish know fairly well, then it is refers to, in turn, hearing at the same time keep up with, Make subtle corrections in time. The result is certainly much better than aimless conversion. If a bit is not F sound is G sound, it is a bit higher on the request of listening; If you replace the five bits of F with an E, it's a little bit more demanding.

Relatively SPEAKING, IT IS EASIER AND MORE ACCURATE TO SWITCH THE HANDLEBARS DOWN (from HIGH TO low) THAN TO SWITCH THE HANDLEBARS up (from LOW TO high). Why? Nothing more than a low point reference is very obvious, that is, the first point 1 from the fingerboard top distance is very clear, is the most familiar. We switch from high to low, as long as the 1 finger is correctly found, the 1 finger is fixed, the other finger position will follow. Isn't it? And low to high, can refer to the thing where? It's a matter of thought, so I mentioned earlier that you have to be careful where your fingers are from the end of the fingerboard.

Once again, the most important thing about switching hands at a distance is to familiarize yourself with the nuances of the hand shape at each high hand position, especially the position of the thumb on the neck. Generally, the higher the position, the more the thumb to the bottom of the neck. Another point is to pay special attention to the distance between the finger in the high handle position and the end of the fingerboard when changing the handle. Only in this way, the feel and the sense of distance combined, and then with auditory timely subtle correction, in order to really do to the eye, heart, hand, so that the distance to change as accurate as possible.