How do you get a full bass out of a violin
Release time:
2024/11/05
If you don't understand these more abstract descriptions, then you should practice more vigorous string kneading
The full bass of the violin is not simply pulling the bow on the G string, but should pay more attention to the bow technique and the coordination with the left hand kneading the string.
Except for the hollow bass 5 of G string, which is difficult to produce thick tremolo, the rest of the notes can rely on different shades of kneading strings to get different fullness effects. Deep lyrical passages often have extremely stirring performance on the G string. Whether classical or modern solo pieces, violinists do not need to perform extraordinary, as long as the exercise of the three skills, can be called the coloratura soprano violin into the orthodox bel canto bass. This bass resonance is rich, mellow and thick, with the charm of grasping the soul, its core is no less than the cello.
To achieve this skill, ordinary people can not only draw pure string sounds on the G string, but also adjust the trajectory of bow hairs on the string, which changes according to the strength of the phrase and melody, and develops according to the musical emotion. It is fair to say that the right hand should be like a well-trained gardener (controlling the strength of the bow) and the left hand like a changeable magician (controlling the strength of the kneading string), and they cooperate with each other so that the music becomes natural.
If you don't understand these more abstract descriptions, then you should practice more vigorous string kneading (large arm and wrist movements with high frequency, not just fingers), because this kind of string kneading is one of the sources of full bass, coupled with thick bow movement
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